Monday, November 16, 2015

Revisiting Our Readings: Pinpointing the Author's Argument and FInding Juicy Quotes

310rs,

Click this link for our in-class activity on how/why we can use the course readings to supplement our own argument (for our final papers).

A *Potential* Structure for Your Final 310 Paper

 A Potential Structure for Your Final 310 Paper
(A Thesis Driven, Research-Based Argument!)

During our Week 7 class, I shared this ***potential*** structure for your final paper with most of you.  As I've carefully mentioned in our meetings, I want you to structure your paper in the way that you think makes the most sense (for a reader to understand your argument[s]).  Think rhetorically and do this in your own original way -- as long as it fits our goal of a thesis-driven, evidence-based argument! 


In BOLD CAPS are what I consider to be the major sections.
·       INTRO (1 paragraph; ~5% of your paper)
o   "hook" the reader -- why is your paper worth reading?
o    establish what your paper topic is going to be about
o   "arrive at" your thesis statement --> what you're going to be arguing (in one, preferably, or two sentence)


·       CONTEXT/BACKGROUND (~20% of your paper)
o    before you get into your analysis/breakdown of the artifacts, interview, and course readings -- and your explanation of how that supports your thesis statement -- tell us what, exactly, we're looking at in the first place
o   what's the organization? what's their mission?  
o   who is your informant?  what's their title?  what do they do?
o   it may help to briefly introduce your writing artifacts to us --- ie, to preview the next section 
o   it also may help to introduce/define the writing terms that you're going to be using.  You could do this, though, in the INTRO or in the ANALYSIS section.
o   (This is ultimately your call.  Choose whatever layout/structure that you think will best guide a reader through your ideas.)
o   also: this is probably the only section in which you really need to use “I”


·       ANALYSIS (~70% of your paper. This is the bulk of your paper)
o   put all of the pieces together -- support your thesis statement with all of the evidence that you've gathered, then "breakdown" what it all means how it fits together
o   Artifact 1: dissect this artifact and use your analysis to "back up" your thesis statement.  What did you interviewee have to say about this artifact?  How does it relate to the course readings?  
o   Artifact 2: ditto
o   Artifact 3: ditto
o   Artifact 4, 5, 6... you choose how many you want to use!


·       CONCLUSION  (1 paragraph; ~5% of your paper)
o   tell us what you just told us
o   what "take-aways" did you find in your research?  
o   what "big picture" relevance do your findings have?

o   wrap it all up!

Monday, November 2, 2015

"Moves!"

I.  Love.  This.  Lesson.
#omfg
#truestory

Whether you realized it or not -- and whether I, the writer, realized it or not -- I made some "moves" right there.  I tapped into my pop culture resources and used some informal conventions of the modern "millenial" generation to (1) reach you, my target audience, by writing a somewhat unusual teacher-to-student "hook" in the beginning (2) let you know that I'm honestly juiced up to teach this lesson... perhaps my enthusiasm for this will be contagious, and (3) let my hair down for a change.


Some other moves I made right there?

  • put the key buzzword in boldface for added emphasis
  • #'d that list so you realized that there were only a few things you had to get through
  • #'d that list so that my punctuation (commas) would come across more clearly -- the #s allowed me to separate each "thing" without using commas.  By using #s, I can save my commas within each item/thing so you (probably) wouldn't confuse them as an additional unit/thing
  • used the "rule of 3" (a cheap trick that most readers seem to enjoy)
  • finished the list with a joke.  If I started that list with my "long hair joke," would it have been as effective?  Probably not -- punchlines usually work best at the end.

OK, so Writing Project #2 is coming up, which requires you to analyze and evaluate what's gained/lost between scholarly and non-academic texts.  To most effectively do this, I'd like you to consider each writer's moves -- what they're doing, how they're doing it, and whether you believe that it was effective.


By studying this, my hope is that you'll be able to detect writers' moves more clearly and, in doing so, consider adapting what you find to be effective.  Think of this as a way to open up your tool kit.


Ever hear of two musicians "jamming out"?  Well, this is essentially what you're doing as a (good) reader.  You're listening to what the writer/musician is trying to communicate, and if you like what they've done, feel free to "borrow that lick."  (But remember: if you're borrowing their ideas/research, you need to attribute that work to them in a citation!)


Blah blah blah.  Here are some videos that can help us start thinking about "moves."


#thisissocool















Interview Prep with Brad Pitt (And James Lipton, of Course!)

We'll be doing an interview-based activity using this Inside the Actor's Studio interview of Brad Pitt.  Keep an eye/ear out for which questions (that Lipton asks) elicit the best/deepest responses.

Brad Pitt on Inside the Actor's Studio with James Lipton

After reviewing the draft of your interview questions, I think that, collective, you did an excellent job.  If this assignment/project is still tripping anybody up, here are some foundation questions that can guide your interviews:

  • What writing-based role(s) does this person play within the organization?  To whom do they communicate with?  (Who is their audience -- and, always, for which genres?)  Why?
  • What genres does this person typically create?  (If they respond, "Well, I write emails," try to get them to dig deeper.  Emails about what?  To whom?
  • What's "good writing" in their field/position and/or at this specific organization?  Why?
  • What does writing do in this organization?  What does it accomplish?  How does it accomplish that?
  • What are some of the major buzzwords used amongst the participants in the organization?  What words/phrases might an "outsider" not be familiar with?  How are these explained to an external/outside audience?
  • What does this person's writing process like?  Do they ever share their in-progress (ie, not completely finished) work with others?  If so, who, and why?  What kind of feedback do they get?
  • Do they have any writing-related pet peeves?
  • Do they have any writing-/communication-related tips for someone who is considering entering the field?
  • What kind of attitude/mindset does or thinking aptitude is required to succeed in this job?

Extra tips:
  •  
  •  


Monday, October 12, 2015

Horror Movies: More Practice with Genre and Conventions

Scenario: all of a sudden, you're sitting in the middle of a movie theater, watching a horror movie.  How do you know you're watching a horror movie?  What features/things about this movie make it a horror movie?

 After you jot down your predictions, let's put our hypotheses to the test!

The Shining



Psycho


Thursday, October 8, 2015

Thinking About Genre (and Conventions) Through Country Music

I wanted to post these videos to help you (re)consider the following questions which can, hopefully, help you to think about the relationship between genres and their conventions:
  • what's the "glue" that binds these songs together? 
  • what about them makes them fall into the “country music” category?
  • at what points do they bend/blend into other genres (such as folk, blues, and bluegrass)?


"Your Cheating Heart"


"Coal Miner’s Daughter"


"Whiskey River"



"I Am a Man of Constant Sorrow"




Monday, October 5, 2015

Thursday, September 24, 2015

Anonymous Questions?

If you have a question that you'd like to ask me but you either haven't gotten around to it or you feel embarrassed (PS: don't feel embarrassed -- we're in this together) or something, feel free to post it in this anonymous Google Doc.  I'll do my best to check it every ~2 days or so.  Good luck!

Post Your Blog Links Here! (Below!)

Writing 310rs,

Once you've set up your Gmail account and your blog, click this link to share that information with me.  I need to so that I can put your blog info up on my blog.  Why is that necessary?  So that we all have access to each other's work.  We'll be giving each other lots of feedback this quarter.

Thanks,

Z